Nowadays everybody has a camera on all the gadgets from cell phones to smartwatches. However, shooting an expert video despite everything needs an amazing camera. There’s no clear method to locate the Best Camera for Movie Making in this highly competitive market.
Especially when you have such a significant number of many alternatives to suit your necessities, experience, and cost.
Luckily, with the rise of young filmmakers and vloggers, more high-quality cameras are now widely affordable. We looked at the different types of cameras available on a budget and what they do best.
Our 10 best cameras for movie making will give you some clear options to suit your project and your budget.
Table of Contents
Which Are The Best Cameras for Movie Making ?
Top Pick
Runners Up
Not To Miss
Top Pick
Runners Up
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The Canon EOS Rebel T6 is Canon’s latest entry-level product. Its great price makes it most suitable for beginners, students, or anyone new to DSLR photography.
It has an 18 million pixels sensor, while the processor gets a modest upgrade to the DIGIC 4+. It has the same modest 9-point autofocusing system, with one central cross-type (more sensitive) point. There’s also a 95% coverage optical viewfinder.
It’s LCD is a 3-inch, 920k-dot unit, whereas the T5 boasted only 460k dots. This upgrade from its predecessor should make viewing images, and using the menus, a more pleasant experience.
The most highlighted feature is the inclusion of inbuilt Wi-Fi and NFC connectivity that enables you to control the camera from a connected device, such as a smartphone or tablet. You can also send images from the camera to your devices to share quickly online.
The DIGIC 4+ processor upgrade in T6 has boosted operation speeds a touch compared to the T5. This means images are marginally quicker to appear in playback mode
Battery life remains at a respectable 500 shots, which should see you through a typical day’s shooting without the need for a recharge.
Video Quality
The T6 uses Canon’s iFCL metering system. Overall, this camera does a good job of producing accurate exposures.
Also, it offers Full HD (1920 x 1080) video recording, and you can take manual control of video, with 30, 25, and 24fps frame rates available. Not surprisingly for a camera at the price point, there’s no 4K shooting
It would not be a lie to say that Rebel T6 has impressed anyone new to DSLR shooting with its amazing image quality.
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G85 is designed around a 16MP Live MOS sensor. The Micro Four Thirds feature along with an optical low-pass filter. Thus it helps the camera record finer details with greater clarity.
Panasonic has integrated the G85 with sensor-based stabilization. To further enhance stability, Panasonic has also employed an electromagnetic drive for the shutter unit and constructed the front plate from magnesium. This combination promises a 90% reduction in shutter vibration over the previous model.
It exhibits flawless performance showing no signs of problems like startup delay. The DSLR-style design means the G85 fits far more comfortably in the hand than many other mirrorless models.
The rear display has a 3.0-inch screen and 1.04 million-dot resolution with a free-angle design. It allows the screen to be turned all the way around to face the front which helps you record videos easily.
There is no doubt that the Panasonic Lumix G85 is one of the Best Cameras for Movie Making as it is loaded with a two-axis electronic level and silent shooting function. Also, various bracketing options include an aperture bracketing setting. The G85 has built-in wi-fi with a battery life of 330 shots.
Video Quality
The G85 records to the 4K UHD resolution of 3840 x 2160 pixels, in a choice of 25p and 24p frame rates, as well as Full HD recording to 50p.
Noise is well controlled at lower sensitivities, and not too destructive as you venture into the four-figure ISO range.
Images from the Panasonic G85 are very pleasing straight out of the camera. Colors are generally true to life, and the auto white balance system is a capable performer.
With the 4K-enabled Panasonic cameras, video quality is very pleasing. 4K footage is detailed and movement is recorded smoothly.
The Fujifilm X-T4 is the best choice for keen amateur photographers and pros who want the latest mirrorless power in a fun, desirable package.
It has a 26.1MP back-illuminated APS-C sensor, which is class-leading in terms of detail and low light performance.
The shutter has been improved to be more robust. It has now a 300,000-shot life and is faster with a new 15fps top speed. As before, the camera maxes out at 30fps when using the electronic shutter. You get a PreShot mode, interval timer, panorama, HDR, bracketing, and a range of advanced filters.
Again, Raw images can be edited in-camera and uploaded wirelessly using Fujifilm’s app with Bluetooth, Wi-Fi, and NFC connectivity. Precisely, the X-T4 is the most capable hybrid APS-C camera around.
Video Quality
The X-T4 has Fujifilm’s best image stabilization system so far. If you activate the digital stabilization in addition to OIS, IBIS and things improve a lot. The shake is almost virtually gone.
The Cinema 4K movies up to 60fps, 10-bit internal recording plus HDMI out, up to 400Mbps bit-rate and with F-Log and HLG profiles included as standard. Slow-motion Full HD movies are possible up to 240fps, too.
X-T4 also offers an improved 15fps ‘continuous high’ mode when using the mechanical shutter. Recording at this speed onto a UHS-II card, the camera captures 37 Raw images in a burst or 65 images in JPEG only.
Even at up to ISO 6400, there is no visible sign of luminance noise in well-exposed images.
With the LCD screen flipped out to the side, it can be rotated and viewed in ’selfie’ mode. A front-facing screen is particularly useful for filmmakers that work alone.
Introduction and key features:
The Nikon Z6 is one of the Best Cameras for Movie Making and its full-frame mirrorless model has attracted many enthusiast photographers.
Nikon Z6 features a back-illuminated 24.5MP full-frame sensor which delivers a pixel count that should satisfy most users.
It comes with Nikon’s new Z lens mount, with Nikon having dropped its long-established F mount. Especially for its new full-frame mirrorless cameras.
Additonally, it features a 0.5-inch 3.6 million dot Quad-VGA electronic viewfinder (EVF) with an impressive magnification of 0.80x.
Supplementing this is a large 3.2-inch tilt-angle touchscreen with a 2,100,000-dot resolution. It’s 3.2-inch high-resolution tilt-angle screen means the clarity and sharpness are a bit better too. Z6 featuring a 5-axis system (roll, pitch, yaw, and X and Y shift) that’s said to be effective for up to five stops.
If you want to bypass the SnapBridge image transfer system, the Z6 offers an open Wi-Fi connection. It gets a new rechargeable Li-ion battery. Talking about battery life, disappointingly, Nikon only quotes a 310-shot battery life for the camera.
Video Quality
While the Z7 is capable of 9fps, the Z6 is that bit quicker at 12fps. Nikon Z6 can shoot 4K UHD video up to 30p, while there’s also the option to shoot Full HD video in 60p and 120p slow-motion footage in HD format.
The Z6 has a quiet shooting mode that sees an electronic shutter take over from the Z6’s mechanical shutter for stills capture. Also, the touchscreen in it also offers control over navigation of the menu and settings, making it that bit more useful.
With quality optics on the front of the Z6, you can capture images rich in detail, and with excellent corner-to-corner sharpness.
The Z6 also performs incredibly well across the ISO range. Dynamic range is also excellent, offering a huge amount of flexibility.
The Olympus Mark III is the most compelling Olympus camera yet for pros and enthusiasts. Also, without any shadow of a doubt, sits in our list of Best Cameras for Movie Making.
The Mark III has got all the muscles. There is an all-new TruePic IX processor. Along with some curiously-named shooting modes. An AF joystick. Image stabilization up to 7.5EV. Thus a new picture is formed.
When using the tripod mode, High-Res Shot mode creates an 80MP file. A new Starry Sky AF mode has been introduced for this lineup which is used for astrophotography.
It has an improved phase-detection AF system, with refinements in its performance especially for face and eye detection AF.
Evaluative metering is very reliable – one of the most accurate available. The dedicated exposure compensation button on the top of the camera comes handy many times.
Mark III has impressed the users with the refined face- and eye-detection AF, even for video. This AF evolution is backed up by the addition of an AF joystick. The stick can be used through the viewfinder, so you won’t need to take your eye off the action.
Video Quality
The solid video specification includes Cine 4K at 24fps (237Mbps), Full HD videos up to 120fps. A flat color profile plus a lovely OM-Log400 profile, headphones, and external microphone ports. All are backed up with that powerful image stabilization which is now up to a barely believable 7.5EV.
The E-M1 Mark III is seriously quick. 18fps silent shutter with continuous AF, 15fps mechanical shutter. Along with a 60fps electronic shutter with a fixed focus is not something to be ignored.
Other than that there is in-camera keystone correction, time-lapse photography. It has the option of saving both the individual photos and a final 4K video.
The log color profile looks great in Cine 4K. Handheld shots are smooth with that excellent sensor-shift stabilization plus competent continuous AF with face detection.
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The A7S cameras are designed for low-light shooting and as before, the maximum sensitivity setting is ISO 409,600.
A7S II is a full-frame 12.2Mp Exmor CMOS sensor circuitry along with improved noise reduction algorithms. It means that noise is controlled much better than before. It’s also been optimized for video recording.
There’s also a helpful new Gamma Display Assist option. It lets you see the scene with natural contrast even though you’re shooting with an S-Log gamma setting.
As it has a lower pixel count than the A7R II and A7 II, the Alpha 7S II can’t resolve as much detail as its stablemates instill. But there is enough information to make high-quality A3 prints.
The tilting screen is useful for composing low-level images. Though it can be partially obscured by the electronic viewfinder. The new camera is tougher than the original model, with more magnesium alloy and a reinforced lens mount.
It’s also weatherproof, so you need not worry about rain droplets damaging the camera body.
Video Quality
The A7S II’s color reproduction is better than the A7S’s in low light.
It can record 4K video to an external recorder like the Atomos Shogun via HDMI with 8-bit 4:2:2 color depth. It also has the ability to record full HD footage at up to 120fps at 100Mbps (without pixel binning) for super-slow-motion playback.
The quality of the 4K XAVC S video is very impressive and close to that of Sony’s larger professional-level video cameras with 10- or 12-bit outputs.
When shooting with the Standard Creative Style and auto white balance settings, selected in overcast conditions, the A7S II tends to produce slightly dull JPEGs and movies. Lacking a little saturation and warmth.
It’s both high resolution and full-frame, producing 8,192 x 5,464 resolution files that weighed in, on average, at about 60MB each.
That means, at the R5’s fastest continuous motor mode, you’re shooting about 1.2GB per second. The sensor is a new model, and this is Canon’s first body to feature in-body image stabilization (IBIS).
Of more interesting features of the EOS R5 is the new battery – the LP-E6NH has about 14 percent more capacity than the slightly older LC-E6N.
The Canon EOS R5’s autofocus is very nearly unbelievable. Subject detection and tracking are similarly impressive.
Another plus point of this camera is the electronic shutter, which is silent. That’s a thing to rejoice upon for wedding photographers and wildlife photographers.
The EOS R5 is weather resistant and is substantial-feeling, with a deep grip that makes it easy and comfortable to hold.
Video Quality
The most eye-catching feature of EOS R5 is the 8K video.
The option of shooting raw is there, at 30, 25, 24, or 23.98fps, and a galactic bitrate of approximately 2,600Mbps. Opting to shoot H.265 files, at the same settings, lowers the bitrate to about 1,300Mbps. While H.264 lowers it further to 300Mbps.
Video performance is excellent as well. Canon claims that the R5 will shoot up to 35 minutes at 50/60fps before it overheats. 4K video is sharp and the LOG files we shot were incredibly flexible when it came to grading.
Flick the mode selector to video and you’re greeted with yet more out-of-this-world performance. 4K, naturally, but up to 120fps, and with the option of shooting raw.
Introduction and key features:
If you’re looking to get into professional video and don’t need a camera that can handle regular stills photography too. Pocket 6K could be a perfect choice.
The Blackmagic Pocket Cinema Camera 6K is like a compact rangefinder camera, but it’s designed solely for video, not stills.
This new model uses a larger Super 35mm sensor format and the Canon EF lens mount. Amazingly, it can capture 6K raw video at up to 60/50p.
The Full HD capacitive touchscreen on the back of the Cinema Camera 6K is sensational compared to the smaller displays on other cameras.
It measures in at five inches, is highly responsive, and showcases Blackmagic OS, the company’s proprietary interface. This comes with focus-check, HFR, menu, and playback physical buttons. The camera does have limitations, which include a fixed non-tilting screen, and no continuous autofocus. Yet technically it’s quite extraordinary.
The battery is also weak, lasting between 35-45 minutes. Depending on whether you’re using the official batteries and how bright you set the camera’s LCD.
Video Quality
The Pocket 6K is made with premium video capture in mind, from its 16:9 aspect ratio screen, versus the traditional 3:2 aspect ratio display. It is there on multi-functional photography cameras.
This camera also shoots RAW video out of the box. It gives filmmakers and enthusiasts much more control over their productions in the editing phase.
With 13 stops of dynamic range and dual native ISOs, it’s also tuned to handling noise and retaining tonal detail. Especially in situations notoriously hard for a video.
The video captured looks sensationally cinematic and flat. If you want a RAW look without the monstrous file sizes, Blackmagic’s Extended Video LUT is a great workaround.
The Olympus PEN E-PL10 is a compact and capable camera. But don’t go on its size. It is tailor-made for travel, blogging, vlogging, and content creation. Also, it is one of our favorite picks for Best Cameras for Movie Making.
This camera comes with a 180-degree selfie/vlogging screen, 4K video, easy touch control, and in-body stabilization.
The Olympus E-PL9 has excellent build quality despite its compact, lightweight construction. Other than that, the diminutive build is ideally suited to travel photography. Especially when the body comes with the small Olympus 14-42mm EZ ‘pancake’ kit lens.
The size is the strength of this camera and is where the Micro Four Thirds format has a distinct edge on its rivals.
Olympus PEN E-PL10 is a 16.1-megapixel image sensor. It’s certainly on the low side by 2020 standards. But it’s still a very competent sensor that produces crisp, punchy, vibrant images.
The camera features face priority and Eye Priority autofocus. It is helpful for stills photography. Yet, the contrast-detect AF system means that it will sometimes struggle to follow faces in video mode.
Video Quality
Video can be recorded in 4K at up to 30 frames per second, 1080p up to 60 frames, and a High-Speed Movie mode. It can also be invoked that captures 120 frames per second for slow-motion.
Though this is limited to 720p resolution, with no audio or autofocus (as is typical of slow-mo recording).
Likewise, the video is ideal for the E-PL10 market, enabling you to record good quality 4K or 1080p footage. Whether you’re shooting in the automatic mode or you want to go manual to maintain a cinematic 24fps look.
The ability to shoot at 120fps for slow-motion shots is very welcome, too. Yes, the resolution does drop to 720p, and there’s no AF or audio. But for a quick clip on a vlog or Instagram post, it’s more than adequate.
The Panasonic Lumix G100 is a smart-looking little camera. Since Vloggers and creatives more broadly will enjoy the simplicity of the Lumix G100, we have added it to our list of Best Cameras for Movie Making.
The G100 is one of the best smallest interchangeable lens cameras with a fully articulated LCD touchscreen. Measuring 3-inches, the implementation of the camera’s 1.84m-dot LCD touchscreen is spot on.
Despite its diminutive size, the G100 feels solid in construction. It’s made from a tough polycarbonate material featuring few points that seem susceptible to drop damage.
When the LCD screen is flipped forwards to face the user, the camera automatically switches into Video Selfie Mode. This increases the depth of field, keeping your face as well as the background in focus.
The G100 has a combination of features that appeal specifically to travel vloggers. Especially as it removes the need to carry around an external microphone. Also, makes it easy to get quality footage on-the-go in front of and behind the camera.
Video Quality :
A 20.3-megapixel Live MOS sensor sits at the heart of the G100, capable of recording high-quality 4K/30p video.
It can also record Full HD video at up to 120fps for dramatic slow-motion clips. To keep things straightforward, Panasonic has placed all frame rate options, including up to 8x quick video modes. Yes, you heard it right, they’ve put all at the S&Q position on the camera’s mode dial.
In typical vlogging configuration – camera held pointing at the user’s face, screen flipped out works like a treat. Provided you are facing the camera, the G100 will isolate and pick-up your voice excellently.
It’s also possible to create time-lapse and stop motion sequences inside the camera using its intervalometer settings. Perfect for creating dynamic B-roll footage.
Best Cameras for Movie Making - Buyer's Guide
Buying the right video camera, you’ll need to make sure that you pick the one which meets all your requirements and purposes. This buying guide contains the things to consider before choosing for the Best Camera for Movie Making.
4K UHD vs Cinema 4K Video Quality
What people refer to as 4K is, in fact, UHD, or 3840×2160 pixels, which is not exactly 4,000 pixels wide and has a 16:9 aspect ratio as Full HD.
While the Cinema 4K called DCI 4K has a resolution of 4096×2160 pixels and a lightly wider 17:9 aspect ratio.
DSLR, Mirrorless or Camcorder
In 2024, the most important choice videographers will have to make is either to go with the time tested DSLR camera options or the mirrorless.
Though still, the top-notch DSLR cameras have their advantages the fact is that the SLR (Single Lens Reflex) design was invented long before digital sensors.
The mirrorless utilizes the ‘live view’ captured by the camera sensor to produce an electronic viewfinder image.
The camcorder can produce exceptional video quality with ultra-high-definition, equipped with specially calibrated zoom lenses and focus capabilities. Also, having strong built-in microphones, and strong audio inputs not seen in traditional cameras.
Video Quality
Does it capture HD video? (720p) is it full HD? (1080p) Is it Ultra HD? (4K)
If you shoot typical vlogger type content which consists largely of you speaking to the camera or reviewing a product, 1080p should be more than good enough. It saves you a lot of time.
That doesn’t mean avoid a 4K camera if you only film online content, it means don’t let the lack of 4K video put you off an otherwise suitable camera.
Sound
Most cameras, whether DSLR, mirrorless, or camcorder, usually won’t have great sound. The built-in microphones tend to come with a lot of unwanted noise. Ideally, you want a camera with an input for an external microphone.
Image Stabilization
Image stabilization is primarily needed when you are shooting handheld without a tripod. If you are filming events, walking around with your camera, this is one of the most crucial features.
Lens
In most budget filmmaking, the wide-angle setting is going to be used more than anything else.
So, the first thing you have to find out is how far the lens can zoom out. Some cameras have a vast selection of compatible lenses, and some don’t, so make sure you look into the available options.
Now it is time to sit back and review our list of Best Cameras for Movie Making 2020
Which camera is best for filmmaking?
- Black Magic Pocket Cinema Camera 6k: For big-screen shooter for the serious film student.
- Panasonic Lumix G85: A classic choice for the serious filmmaker and film student
- Canon EOS Rebel T6 / EOS 1300D: Best budget camera for film students
What kind of cameras do filmmakers use?
With over 100 years under their belt, ARRI has continued to set the standard for cinematic filmmaking.
RED cameras have quickly grown in popularity among commercial and indie filmmakers, and they have been used on major motion pictures.
What cameras are used to make movies?
Since the 2010s, digital movie cameras have become the dominant type of camera in the motion picture industry. Some of the Best Cameras for Movie Making include:
- Blackmagic Pocket Cinema Cameras.
- Canon Cinema EOS.
- Panavision Genesis.
- Red Epic.
- Red Scarlet.
- Red One.
Are DSLRs good for filmmaking?
A lot of creative filmmakers use DSLRs like Canon EOS Rebel T6 or mirrorless cameras like the Panasonic Lumix G85. Canon has very good colors, is easy to use, and their DSLRs have good battery life and a wide range of lens options. They’re popular with professionals, and they’re better for stills.
How many cameras does it take to shoot a movie?
Most films use a single-camera setup, but in recent decades larger films have begun to use more than one camera on set, usually with two cameras simultaneously filming the same setup.